Wednesday, 11 November 2015


Hello, hello, hello Dear Readers - and Happy Thursday to all!

Today I've got a selection of random things to share. I hope you'll like some or all of them, so let's get started.

1) I could do without the large and annoying caption (and whatever you do, don't read the comments) but this little girl is amazing. Two separate people sent the video to me saying she reminded them very much of Mio, and since this is just how I imagined Mio fighting, it made my day.

2) Stuff for USian Dear Readers! The US edition of Darkness Hidden is officially available in hardback and ebook over there as of now, so if you've been patiently waiting for this moment - go forth! Also, my US publisher (Candlewick Press) have recommended 'Storm Clouds Fleeing from the Wind' - my Akira prequel story in the Things I'll Never Say anthology - for a James Tiptree Jr Award! This doesn't mean I'm actually in the running, that's up to the judges, but nevertheless, I'm thrilled. This award is about making people question their assumptions about gender and sexuality through fiction and I am 100% up for that.

3) The American School Library Journal are compiling a list of the 100 best Young Adult novels ever - and they're doing it based on a popular vote that anyone can take part in. Now, I don't know about you, but whenever a list of this type comes out I generally find myself torn between being amused, exasperated and infuriated because a good half of the books on it aren't YA or children's novels at all. They're classics written for adults that some people seem to think count as YA because... well, just because, you know, the leads are sort of youngish... and anyway kids should read them! Look, I love Pride and Prejudice, Hamlet, The Catcher in the Rye, The Great Gatsby and Wuthering Heights as much as the next person, and read most of them as a teen, BUT THEY ARE NOT YOUNG ADULT NOVELS JUST BECAUSE THE MAIN CHARACTERS AREN'T MARRIED YET DAMMIT. *Pants* Anyway, I headed right over there and voted for a raft of my favourite YA novels - and I hope you'll consider taking five minutes to do the same. If you happened to pop Shadows on the Moon (still my favourite of my own novels) into your list of faves that'd be brilliant too, but of course you don't have to! Just vote anyway.

4) Lately I've been making an effort to learn to cook lots of new (healthy) recipes and have been so impressed by my own efforts that I've been tweeting progress reports and pictures. By popular demand, I've decided to share one of those recipes here. I picked a nice simple one that's good for beginners but delicious enough for confident cooks. This recipe is actually all mine, so I hope everyone likes it! It's very healthy and has about two of your five a day in it. 

Healthy and Delicious Frittata

I make enough for two with this, so I can have leftovers the next day. If you only want one meal, half the amount of ingredients. If you want to feed four, double them. Simplez!


Five large free range eggs
A splash of milk
A pinch of salt, a pinch of black pepper, and a teaspoon of dried oregano
1/2 of a red onion, thinly sliced
1 small bag of baby spinach leaves, washed
200g of boiled new potatoes, cut into 3cm cubes
200g of boiled sweet potatoes, cut into slightly larger chunks
A handful of crumbled feta cheese - about half of a small mug
A handful of sweet cherry tomatoes (Tomkin, Aromatic, Sunblush, whatever you like) cut into halves
A low fat cooking spray, or if you're not watching your weight, a teaspoon of butter and a tiny glug of oil to stop the butter burning in the pan
Optional: six to twelve thin slices of Chorizo.

First of all, cut up and boil your sweet and new potatoes. It should take about 20mins for the new potatoes - but only eight to ten for the sweet ones, so get the new ones in the pan first and then add the sweet ones later. When they're all cooked enough to slide off a knife or a fork when you stick it into them, but are still firm enough to hold their form, drain them and pop them aside in the pan, to keep warm.

Next, spray or butter/oil your frying pan and pop it on a medium high height. Wait until you can feel the heat of the pan when you hold your palm a few inches above the cooking surface, and then toss in the onions. You want to cook these until they're starting to go lovely and translucent and soft. It doesn't matter if they go a little brown but if they're starting to catch on the bottom of the pan before they look about done, tip in a little water - not too much! - it'll stop them burning and also generate some steam, which helps them cook faster.

When the onions are nearly done, empty in the baby spinach leaves. It's going to look like loads too much spinach - you'll think 'What have I done?!?' but don't worry. Another tiny glug of water into the pan and a few moments of stirring the leaves around and by the time the water has evaporated and the pan is dry again the leaves will have wilted down to about a quarter of their previous mass. When the leaves look shiny, dark and soft, all folded in on themselves, they're ready.

If you're quick at cracking and mixing eggs you can leave the pan for a second to do the next part. If you need a little more time or your hob is very hot, just take the pan off the heat for a moment. It's sensible at this point to make sure that the onions and spinach are evenly distributed around the pan because the eggs are going on top soon.

Crack your five eggs into a bowl, add the splash of milk, and the seasonings, and then whisk it all together until the mixture looks an even yellow colour. Then pour the eggs into the frying pan, and follow immediately with the sweet and new potatoes. Give them a nudge around so that they're evenly distributed across the pan as well. Then sprinkle the feta cheese all across the surface of the frittata (not putting a big chunk the section of the pan you've earmarked for yourself, because trust me, you won't end up getting that part and then you'll be sad. Fairness pays, kids!).

Leave the pan on the heat for a few minutes, watching it. When your frittata looks like this:

Eg. it's still a little gloopy and jelly-like on top, but a quick shake of the pan shows that the bottom has solidified, throw the cut up tomatoes on the top and then put the frittata under the grill (if your grill is slow to warm up, maybe put it on a few moments beforehand so it has time to warm up).

It should take four or five moments for the top of the frittata to solidify under the grill. Some people like to leave theirs under the grill until it goes really sizzly and brown on top, but if you do this chances are that the frittata will be solid in the middle. I like mine a little bit softer in the centre, more like scrambled eggs, so I take it out more quickly. This is just personal taste - do what pleases you.

Using a large spatula, cut the frittata in two and serve yourself and whoever is eating with you (or else fold the second half in two and put it in a Tupperware for tomorrow, which is what I do).


Sometimes, if I'm in the mood for something a bit meatier, I'll pop five or six thin slices of Chorizo in the oven and let them crisp up while I'm cooking the frittata, then put them on top of it once it's cooked. The Chorizo is super crunchy and salty and goes brilliantly with the cheese and eggs, but watch out - depending on how hot your oven is they really only need a few minutes, and one minute too long in the oven and you end up with charcoal, so don't get distracted!

Let me know if you try this and how it turned out. I might post more recipes in the future, since lots of lovely Tweeps keep asking me to - register your protests in the comments if it's not your thing.

Have a great weekend, duckies. I'll read you next week :)

Monday, 26 October 2015


Hello, Dear Readers! Happy Monday to you all, and thanks for joining me for today's post! What is our theme this fine morning, you might ask?

One Song to Rule them all, One Song to find them
One Song to bring them all and in the darkness bind them... 

OK, that sounds... a tiny bit sinister, but I promise it's not. What am I on about, you wonder? Well, the other day I was listening wistfully to my #BaBBook playlist (because it's probably the loveliest playlist I've ever made and I sort of miss it) and I tweeted a link to a particular track saying 'If you want to know what my Beauty & the Beast retelling feels like as a song, this is it.'

Then it occurred to me that actually, there's a song like that on the playlist for every book I've ever written, going right back to my very first YA novel that didn't even get published. One Song (if you will) that just summed up the atmosphere, the central character's struggle, the soul and feel of the thing for me. 

Sometimes I got this wrong in my initial playlist and then got stuck and had to re-think because that key track acts as a sort of story linchpin for me, drawing all the other songs, other moods, other characters in towards that unnameable, ineffable thing that I was trying to get at with this particular story.

This struck me as kind of cool. And once I'd realised that, I thought maybe it would be interesting for Dear Readers to able to listen to these One Songs and compare them? So I decided to do a post about it, and here we are.

First up is the One Song for BLOOD MAGIC, which was the very first YA novel I ever completed. I sent this to every single children's book publisher in the UK, and two in Australia, and was rejected by all of them - but it was this book which caught the attention of my first first editor when it landed on the slushpile of my current publisher Walker Books, and launched me on my publishing journey. So it served a very useful purpose in the end.

It was a high fantasy novel about a young noblewoman with a magical ability so terrifying that it would have led to her instant execution if she was found out (which of course, she eventually was). She ended up saving her country and her King's life with that talent, but the story had a bittersweet ending, with her and her lover spared their lives as a result of the King's gratitude, but at the cost of being banished from their beloved home country. Along the way the heroine - Rialenthe, Countess of Kefari (*snorfle*) - lost her father and her best friend. Really, it was quite dark and I think the One Song definitely reflects that! It's Elysium from the Gladiator soundtrack by Hans Zimmer:

The next book is my first published one THE SWAN KINGDOM, which was a retelling of the Hans Christian Andersen fairytale 'The Wild Swans'. The song is called Cumulus by Imogen Heap, but I always identified it so strong with my heroine's character and her journey through the story from tentative, unsure, and afraid, to strong, beautiful and confident, that in my head the song will always be called 'Alexandra'. There's so much in this song that links to the way I feel about the book, and when I listen to it I imagine clouds passing over the sun, ripples moving across the surface of deep green water, and tall rushes singing in the wind.

Next up is DAUGHTER OF THE FLAMES - the book where I took the 'lost heir' or 'lost prince' trope and tried to turn it on its head by having the lost conquering royal hero who must reclaim their throne and bring balance to the Kingdom be a biracial girl with facial disfigurement and an awesome, disabled husband. I used a lot of the Gladiator soundtrack for this as well, but when I think back to writing it, the song I know I listened to the most, and which summed up the epic, tense, high fantasy vibe I really wanted was The Host of Seraphim by Dead Can Dance:

I wrote all the fight scenes to that - I probably listened to it over a hundred times just writing the final confrontation between the heroine, Zahira and the antagonist alone. Incidentally, the singer, Lisa Gerrard, is the same one you hear singing on the track Elysium above.

My third book, SHADOWS ON THE MOON, is a Cinderella retelling set in a fairytale version of Feudal Japan, where the heroine witnesses her family murdered and discovers she has a talent for concealing herself with illusions when this talent is all that saves her own life. After the shocking discovery of whom was responsible for the attack that killed her father and adopted sister, she becomes ruthlessly fixated upon revenge and decides to try to win the Prince's favour in order to use his political power to destroy her enemy.

This book actually had two really significant linchpin pieces - I think because it's so long and took so long to write. The way the heroine exchanges identities throughout the book probably has something to do with it, too. I thought long and hard about which song to include, but eventually decided to go with the first one, because I think the second is more about the mask that the main character is wearing (playing the part of a beautiful courtesan named Yue) in the final part of the book than the person she really is inside (a frightened, bereaved young woman named Suzume). So you get The Meadow from the Twilight: New Moon score by Andre Desplat. It sums up Suzume's desperate search for a place to belong, an identity that feels like it's hers, a family that's worth of her. Weirdly this isn't on the soundtrack that's on Spotify - I had to link to YouTube instead:

The next one makes my dilemma over the One Song for Shadows look like cake, though. It's FROSTFIRE, the companion novel to Daughter of the Flames, another epic high fantasy, this time about a young woman named Frost who lives under a curse of berserker rage that can be triggered at any time and which has ruined her life. In her search for a cure she gets tangled up in the conflict left over after the events of the previous book, and comes to love two men whose lives hang in the balance of that battle.

Now, when I first began writing this book, Frost was a boy. Love interest #1 (Luca) was a girl, and the third person in their triangle was a boy called Arian. But then I realised Frost had tricked me. I knew Frost was a tall, very physically strong person with daddy issues who wielded their father's axe, so I assumed boy, but actually the character was a girl. But I didn't see why Luca should have to change. So I wrote a lesbian high fantasy. But that version just didn't work for my editor - not because of the sexuality of the protagonists, but because in my eagerness to get my first queer love story right I'd focused on that romance to the exclusion of everything else and the voice, pacing, plot, other characters... basically nothing else really worked. So I ended up making Luca a male character, threw out the entire first draft and started again from scratch (I still think of this book as a queer love story, btw, since my head canon is that Arian is bisexual).

Throughout this whole process of changing genders and writing new books with the same title and character names, I went through many, many, maaaaany tracks which I thought might be this novel's One Song. But I didn't find it until midway through writing that final, definitive version. You can imagine my relief! It's The Gravel Road from the score for The Village by James Newton Howard:

This song still makes me tear up a little - it speaks so poignantly about Frost's longing and loneliness, her romantic, loving heart. Plus, there's a certain series of notes within the piece (near the middle) that sounds like the distant call of a lone wolf to me, and that's a very important image in the book.

Now onto the NAME OF THE BLADE trilogy! This is my very first trilogy and also my very first urban fantasy story. It's set in contemporary Britain and is the story of a British-born Japanese teenager who 'borrows' a priceless ancestral katana (a Japanese longsword) from her family's attic and unwittingly unleashes the Gods and monsters of mythical Japan onto the streets of modern day London. The book has an all PoC cast and includes genderfluid and gay characters, plus unexpectedly badass parents, smexy fox spirits and all kinds of chaotic shenanigans.

For a while I was a bit stumped by how to pick a One Song for the trilogy, since each of the three books had a different playlist and a different One Song. And this post is already long enough! But then I whapped myself on the forehead for being so dense, because there's always been a single One Song that I've returned to again and again that just sums up everything I love about the trilogy, everything that makes it special to me - the fast pace, the Japanese influence, the modernity - and everything that makes the heroine Mio (who hangs onto her sense of humour grimly by her fingernails to the very end) a unique character. Long time blog readers have heard it before - it's Paprika from the Paprika score by Susumu Hirasawa (again, not available except on YouTube - whydo you hate me Spotify?):

Finally, it's the One Song that started it all, the track that sums up the essence of BAREFOOT ON THE WIND, my most recent fairytale retelling and the companion novel to Shadows, set in the same Japanese influenced fairytale world of Tsuki no Hikari no Kuni. 

This song sums up everything about my heroine, Hana. She's quiet and pragmatic, and just gets on with things - but underneath the matter-of-fact exterior there's such a painfully deep well of feelings which she's desperate to find a way to express. The narrative of the story and the deepening, changing relationships between her and the other central characters builds up inexorably towards a confrontation between Hana, a perfectly ordinary village girl who has only common sense, kindness, and determination on her side, and the monstrous magical forces aligned against her. This One Song really captures that sense of running out of control towards something that may be miraculous or fearful. It's Experience by Ludovico Einaudi and I love it:

I hope this has been as interesting for you to read and listen to as it was for me to write, Dear Readers! What a fun trip down memory lane. Read you later, honeys!

Tuesday, 20 October 2015


Happy Tuesday, lovely muffins! Welcome back!

Today I bring you a new page for the blog - on which all the Name of the Blade 'deleted scenes' (really bonus content specially written for the FRAIL HUMAN HEART blog tour) are now gathered together. Before you flick over there, just be aware that each scene is 100% spoilers. If you've read the whole trilogy or don't mind spoilers - proceed. Otherwise flee, flee, while you have the chance! Failure to heed this warning may result in wailing, gnashing of teeth and annoyed comments on this blog (but you will get a big fat zero of sympathy from me, so better not bother).

In other news, if you, like me, are constantly on the look out for cool geek-chic clothing, you might want to know about a great site I recently discovered, called Society6. I've only ordered T-shirts from them so far, but I've been delighted with the quality, selection and shipping speed of my orders. Society6's prices (including the cost of shipping) are reasonable, working out - once converted from dollars to pounds - at a bit less than fourteen pounds a shirt, which is the same or less than a lot of the far less interesting T-shirts you normally see in UK shops.

What's more, they have great unisex v-neck tops (I'm so sick of wafer thin, skin-tight 'girls' t-shirts, or boys ones that have such a tiny neck I can barely fit my hair through it) which are made of thick, snuggly soft brushed cotton.

Here's a selection of what I've bought recently (don't judge my spending spree - they gave me free shipping and a money off coupon, OK?):


And every purchase you make pays directly to the artist who designed the shirt! The site aren't paying me for this endorsement, by the way - I'm just overjoyed to finally find an outlet that carries the type of T-shirt I can happily and comfortably lounge about in all day, writing, without feeling like a slob. Now I can throw away all the thin crappy ones that have pointless love hearts or diamante butterflies on (OK, fine, I'll donate them to charity, happy?).

I've just broken 10,000 words on my Mulan retelling and am starting to find my protagonist's distinctive and - I think - compelling voice. I'm moving slowly on this book, moving tentatively around the edges of my fictional world while I continue to research Tang Dynasty China feverishly. I'll know when I've done 'enough' research when I've absorbed so much detail that I feel comfortable letting go of all my reference books and just inventing things in my fictional, fantasy version of China without checking.

I'm also moving slowly because, honestly, I hate writing beginnings. I'm hoping that by setting myself a target of between 600 and 1000 words a day instead of expecting myself to produce huge chunks at the outset, I can progress the story in a worthwhile way but avoid my all too common problem of having to chuck out the first 3-9 chapters later on when I revise.

It's going so well at the moment that I'm thinking of doing a sort of... Faux-NaNoWriMo this year. Not real NaNo of course. I've already started the book, which disqualifies me. Also, as long-time blog readers know, every time (every. single. time) that I declare I'm going to do NaNo this year, something awful happens to me. Flu. Prolapsed disc. Food poisoning. Family drama. No more of that! My NaNo will be informal and less ambitious - I'll just up my word target to 1000 words or more a day, six days a week, and try to significantly bump my overall word count by the end of the month.

Anyone who wants to join in with Faux-NaNo is very welcome to post their progress in the comments on my checking in posts - which I'll probably put up once a week.

What's going on in your lives - writing or otherwise - cookies? Let me know in the comments!

Tuesday, 13 October 2015


Hello, Dear Readers! Happy Tuesday to you all. Before I move onto the main topic of today's post I just need to say a huge thank you to writer pals Emma Pass and Kerry Drewery, and to all the lovely writers (old friends and new) who were at the #UKYAX on Saturday. I think I can honestly say it was the most relaxed, happy book event I've ever been to. If any of you were there, Dear Readers, I hope you had as wonderful a time as I did. If not - try to make it next time! I certainly will :)

With thanks Kendra Leighton and Chelley Toy for the pics!

And now... My review of Life & Death by Stephenie Meyer (henceforth referred to as Smeyer in the grand old Zoë-Trope tradition) which is, in case you've been peacefully snoozing in a woodland grotto for the past week, a genderbent retelling of her internationally bestselling YA vampire novel Twilight. (Guys, you have no idea how hard I had to look to find a link that wasn't spoilery! I'm not going to spoil anyone with this review if I can help it, by the way - there will be spoilers, but they'll be hidden under a cut at the end so you can avoid).

Yes, that's right. Smeyer went ahead and did a genderbent AU of her own novel to celebrate the 10th anniversary of the book's publication. When I heard this I actually had to check the date because I thought it couldn't possibly be serious - it had to be April Fool's, right? But no. It was really true! And then I couldn't decide if I thought it was the worst train-wreck-you-can't-look-away-from idea ever or the best thing I'd heard since Taylor Swift released 'Wildest Dreams' on single. What? Just... I mean... WHAT?!?

Longtime blog readers know that in the past I have taken issue with Twilight (although that was before everyone else started making a career out of slamming it, by which point it seemed a little mean-spirited) and have on occasion chosen to use it to illustrate dos and don'ts of writing. So why would I be interested in buying my very own copy of a book in which the author had presumably simply pressed 'Find' and 'Replace' on the names and had the whole thing rebound for a quick anniversary cash-grab? Well, two reasons, muffins:

1) I genuinely enjoyed Smeyer's later novel The Host, and thought it showed a marked improvement in her ability as both a craftsperson and storyteller. I believed (rightly as it turned out) that she wouldn't be able to resist meddling in more than a superficial way with this new version of her story, and I wanted to see if she could substantially improve it.

2) I love fanfic! Some of my favourite fanfic is Twilight AUs where people change one significant detail about the story and make it awesome. If I'm willing to read it on A03, I should be willing to read the author's own take, right?

So here's the book's deal. Bella has become Beau (short for Beaufort, ikr) and Edward is now Edythe (ha ha ha. Ahem. No, apparently there was at least one real live person called Edythe during the period that Edward would have been alive, so... we just have to go with it. And thanks for that link, Sally!).

But Smeyer has done more than this. She has also changed the gender of almost every other character in the book, including all the vampires except one, a couple of minor non-speaking roles, and Bella - sorry, Beaufort's - parents, Renee and Charlie (and Phil). She states this is because she finds it tough to believe an unemployed father would have been given custody of a baby back in the 80s when Beau was born, and... eh, maybe she's right. What this change makes clear, though, is how dominated by male characters (major, minor and incidental) the story was previously. Life and Death feels stuffed full of women instead, which just shows how easily we forget that women are actually 52% of the planet's population.

Now, in Smeyer's interviews about this book, and in her author's note, she says that she decided to bend the genders (by the way, I'm using 'bend' rather than 'swap' to describe this because I think it better acknowledges that there are, in fact, more than two genders in the world) of her characters because she was sick of seeing people talk about Bella as a damsel in distress. She felt the character only got flak for being obsessed with love/sparkly vampires as a result of being a girl. I think she wanted to show that these choices in characterisation were nothing to do with Bella's gender and everything to do with being a human playing in a world of monsters and magic.

Did she succeed in this? Not really, to be honest. Not necessarily because she's wrong in her point about how we respond to male versus female characters, though. More on that anon. I think Smeyer's mistake is she fell into that trap herself - she even acknowledges it (albeit without apparently realising she's done so). She states straight out in her author's note that Beau's personality 'developed' differently than Bella's. Her opinion on this is that Beau is merely less angry than Bella, doesn't carry a chip on his shoulder like his female counterpart, and is 'more OCD'.

But Smeyer is wrong. Bella never came across as particularly angry or OCD (not loving the casual flinging about of this mental illness, btw, but we'll give benefit of the doubt and assume she really does mean her character has a very mild form of obsessive compulsive disorder, rather than that she's using the term to be cute). Bella never came across as having a chip on her shoulder. She never came across as much of ANYTHING, really.

Bella is a personality void in the story. A list of traits which the other characters respond to as if they were real, but which are never truly demonstrated to us, the readers, in a way that makes her feel alive.

And that is the main difference between Life and Death and Twilight. Because Beau? Actually has a personality.

Yes, the story makes it clear that he possesses the same rather generic list of traits which are all we really know about Bella - the clumsiness, the social awkwardness/shyness, the reserve, the apparent ingrained need to cook and clean, the liking for classic literature - but either because of a natural increase in Smeyer's skill or because she sympathises with male characters more (Edward was always her writer's pet, after all) Beau manages to seem like an actual person on the page.

Despite moaning about looking after his mother, whining about the move to Forks, failing to connect with Charlie, and mocking/snarking about his classmates in exactly the same way (sometimes in almost identical words) to Bella, Beau is immediately vastly more sympathetic as a character. At first I felt that this was my own internal misogyny (yes, we all have it) telling me that a boy in the position of caring for his mother since childhood, and forced out of his home by her all-consuming love for her new husband, was more interesting and worthy of respect than a girl in a similar position.

And perhaps that is partly true. But what is also true is that Smeyer's other changes, large and small, mean that Beau seems like a real, awkward teen, dealing awkwardly with being put in an awkward position. He seems to have some degree of inner life. He doesn't express himself with the same stilted formality that Bella does, doesn't seem to have his life on pause waiting for someone to come along and give it meaning. He demonstrates traits within the action of the story instead of relying on his narration to inform us of them. We can see that while he's shy and awkward, he's also an incredibly laid back type. He doesn't worry much about the future. He has a sense of humour that isn't limited to making deprecating cracks at his classmates. He's aware of his own faults but seems to have at least some sense of self and even self-esteem. Maybe this was how Smeyer always saw Bella. But at the time of writing Twilight she didn't have the skill to show us any of it. Now she does.

Something else Smeyer gets right in L&D is to immediately make explicit the fact that Charlie chose to leave Beau with Renee not because he believed it was best for Beau, but because he knew 'Renee needed him'. Charlie gets a lot of sympathy in Twilight because of Bella's apparent indifference to him. He's cast in many people's eyes as a perfect, loving father with an ungrateful, cold off-spring. Reading in this new version that Charlie prioritised the well-being of his scatty ex-wife over that of his small child, and that Beau consequently was balancing Renee's chequebook and doing her laundry as soon as he could add up and reach the buttons on the washing machine - and that Charlie knew this and approved! - makes Beau's lack of interest in his dad, and his abrupt, overwhelming attachment not only to Edythe (protective, caring Edythe) but to her helicopter family seem much more logical.

When Beau meets Edythe not only is his reaction to her much more immediately romantic - and less filled with terror and hurt - it is also intensely physical. Bella is obsessed with Edward mostly, it seems, because he was mean to her, and then saved her life and was mean to her again. When the realisation comes that she's in love with him it seems to come out of nowhere. But Beau is unequivocally obsessed with Edythe from the start because he finds her hot and sexy and gorgeous and just can't believe she might look sideways at a normal guy like him, and it's clear that he knows it's not sensible or healthy - but he still wants her any way he can get her.

Because of this vital, profound difference between Bella and Beau - not in their genders but in their characters - it's much more difficult to compare Twilight and Life & Death than it might first appear. Having a central character, a first person narrator, who is sympathetic to some extent (although his blithering on about Edith's perfection is as boring as ever) makes a massive difference in the overall quality of the book.

Onto the other vampires of the Cullen clan! Dr Carlisle Cullen becomes Dr Carine Cullen - a Grace Kelly/Marilyn Monroe look-alike, but even more beautiful (pfft). The maternal, beautiful Esme becomes gentle stay-at-home husband Earnest, whose looks aren't really mentioned. Rosalie becomes Royal, dubbed 'the golden quarterback and homecoming king' by Beau, and possessor of a surprising man-bun. Emmett is Eleanor, a terrifyingly aggressive foil for Royal. Jasper is Jessamine, feline and spooky. Alice is Archie, and somehow becomes far less extreme, far warmer, less shrill (I hate to use that word for any female character, but come on) and more interesting in the process.

It's really telling to me how, in attempting to preserve the pre-bend traits of the younger vampires in their new genders, Smeyer instantly makes them more interesting. When all the female vampires suddenly become animalistic, intimidating and not-to-be-messed with, and the male ones are mostly described in terms of their hair and beauty it makes you realise how strongly gender-essentialist the book was in the first place. But Smeyer does some rapid work on the backstories of some characters here too, because apparently it wouldn't do to give a male character a history of having survived sexual assault, or a female one a past as a (terrible amateur) vampire hunter. Would it? *Raises eyebrow*

As for Edythe - she initially seems the least interesting of the bunch, although Smeyer goes to a lot of effort to switch up the descriptions of her to make it clear that she's super feminine. Her hair is strikingly 'metallic', leading me to believe it's more bright coppery-red than that famously ambiguous 'bronze' ascribed to Edward. She's tiny, but as graceful as a dancer (a description previously reserved for Alice). Her hands are described as 'little' and her eyes are 'long', although she does have 'surprisingly muscular' forearms (natch). Beau towers over her. It almost seems fitting for such a fairy-like creature to sparkle in the sunlight.

As the book progresses onward, however, Edythe also emerges as a distinct character from Edward. Freed of the need to act the Bryonic, tortured hero, Edythe keeps her (audible to Beau, anyway) self-loathing and self-castigation to a minimum, exhibits some interest in Beau as a person rather than as the vessel for floral-scented tastyblood (with thanks to Cleolinda) and an impenetrable mind, appears to have a rudimentary sense of humour herself, and offers convincing emotional vulnerability that actually makes the sudden, desperate connection between the two feel somewhat realistic.

OK, she's the definition of a manic pixie dream girl, and OK, she indulges in the same sort of weirdo stalker behaviour as her male counterpart. But she actually seems sorry, which is more then Edward ever does. What's more, her inhumanity, her alienness, are so much better established that it feels much easier to accept that she cannot be expected to conform to human behavioural norms. Beau's easy and unquestioning acceptance feels more like a reinforcement of his irrational crush rather than a death-wish.

Less wholesomely, Beau's repeated and loving descriptions of the hollows under Edythe's cheeks, her 'sharp' shoulder-blades, 'thin' arms, the 'fragile' 'twigs' of her collarbone, her 'vulnerable' slenderness and the fact that he can count her ribs makes it clear that part of Edythe's beauty is severe emaciation (presumably from having been half dead of Spanish 'flu when Carine transformed her). Beau not only notices this thinness; he clearly desires it desperately. It's a facet of her appeal. Something deeply whiggy is coming out of the author's subconscious there and I think these parts should have been edited responsibly before the book was published.

Another interesting thing that swims to light in this new version is how truly odd and out of place it appears when everyone in Beau's life, including Charlie, seems fixated on getting him paired off with a girl and attending the dance. I honestly can't remember if this plot point was hammered home with such verve in the original book. Maybe it's not. Or maybe we're all just much more used to seeing girls pressured to fall in love and focus on romance and defining themselves by relationships (preferably with boys). All I know is that by the time Beau finally confesses his and Edythe's relationship to his father, I was starting to think that Charlie was caught up in some kind of mortal panic that his son might be gay. Leave the kid alone!

More messed-up stuff comes in the form of Charlie *not* bothering to sabotage Beau's truck when he thinks his son is going to sneak off, as he does with Bella's in the same situation. Apparently only girl children need their autonomy physically restricted, kids! I also remain baffled by how a vampire who has been eavesdropping on both humans and vampires thinking about and having sex for nearly a hundred years, apparently manages to know absolutely nothing about it - a fact of the story that sadly remains unchanged.

Cool stuff comes from the new Volturi, who have a different line-up and a totally awesome history that took me by surprise. If only Smeyer had used this version in the original books and allowed them to be multidimensional people instead of pantomime villains! Also, there's less pointed victim-blaming from Edythe for Beau. I wonder why...

And now: spoilers!

Tuesday, 6 October 2015


Hello, hello, hello my magical muffins. A very happy Tuesday to you!

Last week I took part in a panel discussion on Diversity and Mental Illness in YA, at 7pm at Leeds Waterstones. The other authors were Martyn Bedford, Annabel Pitcher and Kim Slater. Each of us had written a book or books that had diverse characters and/or characters suffering with mental illness, and we had a great (somewhat rambling) discussion about our own personal reasons for writing about this, how we develop and research characters, and why diversity and the portrayal of mental illness or non-neurotypical people was important to us. Here's a reminder about my position on that from the archives, for interest's sake.

There was a great mix of people in the audience, and I was heartened that so many of them were young people (including some very focussed young writers). We were initially meant to each do a short reading of our books, and I had the first chapter of Barefoot on the Wind queued up on my laptop, but we ran out of time. I was equally relieved and disappointed! We did have time for questions from the audience, though, and I hope we gave out some helpful advice on how to get published.

As per usual, I forgot my camera (everytime! EVERY. TIME.) but thankfully the lovely Darren from Bart's Bookshelf was on the job, and he took these lovely shots:

That's the always wonderful Martyn Bedford on the far left, Annabel Pitcher to my immediate left, the delightful bookseller who arranged and ran the event on my right (I think her name was Tanya - I hope I'm right, comment and smack me if not) and Kim Slater on her right. And yes, I am making my usual selection of strange and awkward faces and gestures. It was a great time, and I'm very pleased to have been invited.

But wait, there's more!

This is a reminder that if you missed the panel at Leeds, there's still the UKYA Extravaganza, where no less than thirty other fab authors - including Martyn once again, and some of my other very favourite people! - will all be gathered on Saturday the 10th. Tickets are free, but you do need to call the store to get one (I'm told there are still some available). 

Please do come to this if you can, Dear Readers. It's like no other big book event you've ever been to; authors wandering around chatting to bloggers, bloggers making friends with readers, readers nattering to authors. It's totally friendly and informal, everyone should get a chance to meet and talk to everyone, there are loads of panels, and we're all bringing cakes and other food from home. And it's in a bookshop! Honestly, what more could you want?

The line-up has changed slightly since the last time I posted this, so here's the poster again:

 Get excited. Get on the phone to the bookshop. And get down to Nottingham on Saturday!

In other news, I finished and returned my Barefoot on the Wind edits last week, so right now I'm mid-dive back into research (library fines, my lovelies. So many library fines) on my Mulan re-telling, and hope to start work on the actual drafting next week. Wish me luck! This book is going to be a huge challenge on many levels, but I've had such lovely support from people who really want to see this story told and I'm super excited. Anyone who would like to check out the book's Pinterest board can do so here - and this is the book's newly minted playlist!

This'll evolve and change as the characters begin to really come to life in my head, but it's what I'm going with for now (for some reason in this embedded player the songs have organised themselves in kind of a weird way, so probably best to listen on random).

Read you later, cupcakes. And remember, requests for future blogposts on any topic, or questions you'd like answered in a Reader Questions post are always welcome in the comments :)

Wednesday, 23 September 2015


Hello, and happy Thursday, dear muffins! It's nearly Friday, so hang in there - we can make it together.

Today I bring you a link to the lovely Writing From the Tub website where I did my guest post as part of the UKYAX Blog Tour. Here's the schedule in case you wanted to catch up with all the posts and follow them in the future:

My post on Carly's blog is chock-full of recommendations for amazing books written by UKYA authors, so check it out if your TBR pile is looking a little low or you're taking part in the UKYA Challenge this year. You won't regret it!

In other news, this week I'm reaching the end of my first edit (with my editor) on Barefoot on the Wind (otherwise known as #BaBBook) and am still just loving this book so, so much. I want to wrap it in snuggly hugs forever because it's the Beauty and the Beast retelling I always wanted. I'm just really hoping that everyone else likes it as much as I do! I have some news relating to this book that I'm not allowed to share yet, which is also pretty exciting (not that exciting - lower your expectations, no film deals are in the offing) but I'll tell you about it as soon as I can.

To tide you over, there's a snippet from the current version of the ms under the cut - subject to change as always!

Monday, 14 September 2015


Surprise Monday post! I'm sorry to have missed posting last week, Dear Readers. I wanted to wait to get confirmation that I could share some news, but then over the weekend I saw that the news was out anyway (as always seems to be the way for me). So I decided to do a bumper post with everything included today! Brace yourselves, muffins.

First up, just in case anyone's missed all the excitement about UKYAX - that is, the United Kingdom Young Adult Extravaganza - over on Twitter... yes, I am in the line-up this time! Hurray!

I was gutted to miss it last time, especially as I was right there with the two fabulous organisers, writer-pals Kerry Drewery and Emma Pass, when the idea first crystallised. Stupid railways. Anyway, it would have taken a charging Rhino that looked like Katie Hopkins to keep me away this time (and even then I'd have put up a fight) so I will be there, at Nottingham Waterstones, with an absolute plethora of amazing fellow UK YA writers, on the 10th of October. Here's the event's Facebook Page, where updates and further exciting news shall be posted.

But wait, there's more! This will not be my only event in October!

On the 1st of the month I'm going to be at Leeds Waterstones at 7pm, taking part in a really exciting panel event on Mental Illness and Diversity in YA with another great line-up of YA writers. We'll have a panel discussion, a Q&A, and a signing session afterward. I'm really looking forward to this one - anyone who's read my books knows that mental illness is a topic very close to my heart, and I think everyone must have heard me banging on about the importance of diversity by now. 

The other authors present will be Annabel Pitcher (author of My Sister Lives on the Mantelpiece), Kim Slater (author of Smart), Hayley Long (author of Sophie Someone) and Martyn Bedford, who is a Walker author like me! He's the author of Flip and Never Ending. The two of us have met before (at the Leeds Book Award) and I know he's a very lovely man, which makes me slightly less nervous about being on a panel with a line-up of such serious, literary writers.

I really, really, really, REALLY hope that some Dear Readers will be able to make it to at least one (if not both!) of these events. They're in locations that are a bit more accessible to large swathes of the country than London, and they're at different times that hopefully can fit in with more people's schedules. UKYAX is on a Saturday in the early afternoon from 13:00, for those of you who have work or school during the week. But if anyone's busy on Saturdays then the Leeds panel is in the evening - 19:00 - on a Thursday night, after work and school are finished. PLEASE COME AND SEE MEEEEE.

Remember the rules if you do! No coming along and being too shy to approach me and then being bummed about it afterwards. I adore and treasure each and every one of you and it will quite literally make my day to see you. You are the reason I am there. But note that I am a compulsive hugger, so if you do not like hugs? Let me know. I will not be offended! Non-consensual hugging is not my scene.

In other news. edits on Barefoot on the Wind are now under way, bringing the usual landslide of open tabs in my web browser, scribbled notes, frantic notebook-page-flipping and highlighting, groaning, and COFFEE SO MUCH COFFEE.

Sunday morning... no rest for the wicked!
It occurred to me yesterday that whenever I am editing I always feel a very strong urge to do my nails blood red. I'm not sure if this is because I'm metaphorically ripping the guts out of my book and want to look the part, or if wielding a red pen just reminds me how fond I am of the colour scarlet, but either way, here's proof of my Freudian slip. My nails also match my precious extra-large coffee mug. Coincidence? I think not.

Well, that's all for today, my darlings. If anyone has any questions about reading, writing, or books (or anything, really, although I'm not an expert on tax or how to do a fantastic shadow-crease smokey eye look) that they would like answering here on the blog, let me know in the comments. Similarly, if you have ideas for blogposts you'd like me to write, drop me a line; I'm always happy to take your interests into account.

Wednesday, 2 September 2015


Hello, hello, hello, Dear Readers - and Happy Wednesday!

Today I bring you many emotions courtesy of my lovely US publisher, Candlewick Press, who sent me two things last week that made my bottom lip wobble (just a tiny, tasteful amount).

First up, the copyedit/pass pages for the US edition of Frail Human Heart. I worked on them over the weekend and sent them off on Tuesday. This is them after I'd shuffled them all together again and was about to put them in a big brown envelope for the post:

You might be little confused as to why this would make me feel ALL THE EMOTIONS or why I felt the need to snap a picture. But consider. Copyedits/pass pages are literally the last stage that a book goes through before it's sent off to the copyeditor and actually becomes a book. This is the final book of the trilogy. What that means is that this is the last time I will ever do work on or make changes to the trilogy. Ever. When I sealed up that big envelope to send it off to Candlewick Press (or rather, to my editor at Walker so that she could send it to Candlewick Press) I was saying goodbye to The Name of the Blade for the final, final time.

Goodbye, my darling!

*Blubs* *Waves hanky*

And just when America had reduced me to an attack of the feels once, another parcel arrived from the lovely Miriam (my US editor), and this one held shiny goodness of the Darkness Hidden kind:

Yes, it's the US dust jacket - brilliant blood red with red and silver stamped foil and the Name of the Blade logo (which, I just will never ever get over having a logo, hee hee!).

I decided to see what it will look like as a finished book by wrapping it around the US hardback of The Night Itself/The Name of the Blade:

So pretty, right? And it has the most lovely quotes on the back from reviews of The Night Itself/Darkness Hidden on the back! And look at it next to it's big sister!

*Lip wobbles again*

So yes, all the feels from Candlewick. Thank you, Miriam! *Hugs*

Just a note: the UK paperback edition of Frail Human Heart is up to seven lovely reviews on Amazon right now. When it reaches ten reviews, I'll pick one of the reviewers to receive a really special, unique trilogy-themed gift pack, so if you've read it and have something to say, get in there.

Read you lately, my lovelies!

Tuesday, 4 August 2015


Happy Tuesday, Dear Readers! Today is the ninth and final day of the FRAIL HUMAN HEART Blogtour, and we are paying a visit to the frankly gorgeous website of the frankly gorgeous Daphne of Winged Reviews, where I ramble on at some length about my inspiration and initial creative process for THE NAME OF THE BLADE TRILOGY.

Nine whole days of blogging in a row! I'm not sure I've ever done that before - but it's been fun, hasn't it? Below is the round up of all the stops in the tour:

Day #1, Pewterwolf - Snippet from the book
Day #2, KitKatscanRead - Snippet from the book
Day #3, Feeling Fictional - Snippet from the book
Day #4, Teens on Moon Lane - Snippet from the book
Day #5, The Reader's Corner, Jack & Hikaru Deleted Scene - major spoilers!
Day #6,  Luna's Little Library, Hikaru Deleted Scene - not really spoilery
Day #7, SisterSpooky, Mio & Shinobu Deleleted Scene - pretty spoilery!
Day #8, Serendipity Reviews, Detailed interview with Viv
Day #9, Winged Reviews, In Depth Inspiration Post

The number of reviews on the FRAIL HUMAN HEART page on Amazon has grown and I am so happy and grateful - thank you to everyone who's popped on to leave their thoughts and a rating so far. I'm thinking that once I get to ten, that's when I'll pick one person to win that really special super prize related to the trilogy, which will hopefully make their reviewing efforts worthwhile.

Also a quick reminder that not this weekend but the weekend before I totally overhauled and remade my website. The new one can be found at the exact same website address (handy, right?) of, and I'd love to hear from you about it using the new email form or here in the comments. Do you like it? Miss anything from the old site? Is there anything new you'd like me to add? Let me know!

Finally, to ease the pain of the ending of this most magnificent blogtour, I'm going to be doing a guest post on the Author's Allsorts tomorrow called DASTARDLY TROPES in which I weigh in, at some length, about what is and is not a trope and how we should use or discard them in order to make our writing stronger. So if that's the kind of thing you like, pop in here again tomorrow for the link or else head straight to the Author's Allsorts.

Monday, 3 August 2015


Hello, hello, hello my delightful cupcakes. Here's Monday again, greeting you like a slap in the mush with a frozen kipper.

Let me ease the fishy concussion with Day #8 of the FRAIL HUMAN HEART Blogtour, where we pay a visit to the site of another longtime blogger pal - Viv of Serendipity Reviews (*Waves* Hi Viv!).

Today's entry into the tour is a super detailed interview that asks all kinds of fascinating, wide-ranging questions. I really enjoyed doing this Q&A, because it wasn't all the same old topics, so hopefully you will too.

See you tomorrow for the very last day of this magical mystery tour!

Sunday, 2 August 2015


Hello, Dear Readers - here's wishing you a glorious, lazy Sunday. To add to your enjoyment, I bring you today's link to the FRAIL HUMAN HEART Blogtour - and it's another completely exclusive deleted scene, written just for you and never released before!

The deleted scene is being hosted by my wonderful and precious blogger friend Laura, at SisterSpooky, so head over there pronto - but beware that the scene in question is a teeeeny bit spoilery, offering insight into Mio and Shinobu's mysterious pasts (ooooh!).

Here's a round-up of the Blogtour so far, in case you're just now boarding the NAME OF THE BLADE train, or if you just missed a day somewhere for whatever reason:

Day #1, Pewterwolf - Snippet from the book
Day #2, KitKatscanRead - Snippet from the book
Day #3, Feeling Fictional - Snippet from the book
Day #4, Teens on Moon Lane - Snippet from the book
Day #5, The Reader's Corner, Jack & Hikaru Deleted Scene - major spoilers!
Day #6,  Luna's Little Library, Hikaru Deleted Scene - not really spoilery

Saturday, 1 August 2015


Hurray, its Saturday! We made it, munchkins! And as a reward, I bring you Day #6 of the FRAIL HUMAN HEART Blogtour, where we will be be visiting the delightful Luna, one of the trilogies biggest fans and a true Renaissance blogger (because she can do everything - no really, check out her jewellery shop).

And not only do we get to visit Luna's Little Library today, but it's another exclusive, never-seen-before deleted scene from the trilogy. From Hikaru's PoV! There may be slight spoilers ahead, so brace yourselves!

I will be back tomorrow to link you to the next deleted scene, so don't forget to check in then. And just in case, here's a summary of all the links so far:

Day #1, Pewterwolf - Snippet from the book
Day #2, KitKatscanRead - Snippet from the book
Day #3, Feeling Fictional - Snippet from the book
Day #4, Teens on Moon Lane - Snippet from the book
Day #5, The Reader's Corner, Jack & Hikaru 'Deleted Scene' - spoilers!

See you on Sunday!

Friday, 31 July 2015


Woohoo, happy Friday muffins! You made it, and the week is so, so nearly over. Here are three pieces of good news to speed you onto the weekend:

1) Today's blogpost is a juicy, spoilerific deleted scene from THE NAME OF THE BLADE which has never been released before and is being hosted exclusively by the lovely Beth at The Reader's Corner. Run over there now and check it out! I promise it's worth it :) *Hint hint*

2) The FRAIL HUMAN HEART Blogtour will be continuing over the weekend, with two more juicy deleted scenes, one on Saturday and one on Sunday - and there are still more posts set for next week! I will carry on posting the links for you here so you need have no fear you'll miss anything.

3) For those of you who are fans of my movie live-snarking, here's some advance warning that I'll be watching and tweeting about X-Men: First Class today - Friday - at 9pm. The film is showing on Film Four, but if you have the DVD you can always pop that in and sync up. Everytime I spontaneously live-tweet a film people say 'I wish I'd known you'd be doing this!' so here I am, responding to popular demand.

In other stuff, I've had one new review on the Frail Human Heart page on Amazon, and a couple of others have popped up on the other books of the trilogy, which I appreciate very much. But the offer of a special secret prize related to the trilogy is still open, so if you're interested in that, now is a good time to nip over there and leave a review - an honest review! - so I can put your name on the list of people who will be in with a chance to win.

And now, a quick snippet for you from one of my two current WIPs.

I'm not actively working on either of these because I'm still waiting for my publisher to hint at me which - if either - they're likely to offer a contract for, and also because I'm expecting my #BaBBook (that's Barefoot on the Wind!) edits back any day now. I think most of you know about my Mulan retelling but I'm also working on another project, which I'm mostly describing as - Downton Abbey meets Outlander, by way of Rebecca. And this second book is the one I'm quoting from today (in completely rough, first draft, unpolished, subject-to-change form of course)!

Here goes:

The opaque, jagged black sea seethed beneath a delicately pink-flushed sky. Long vertical drifts of cloud, soft grey, were limned with the fiery glow of the rising sun. The headland was a mist shrouded blue-grey shape curving at what seemed like an impossible distance across the surging water, as it it were a half imagined faery land that might evaporate or sink down into the waves with the coming of dawn.

But as the orange ball of the sun continued its steady rise up through the ragged clouds, the whole character of the water began slowly to change, gradually smoothing and paling, until it resembled a long roll of gleaming silver silk, tinted with the warm colours of the sky, that I could have stepped out onto and walked across, and feel ripple, warm and flexible, under the bare soles of my feet. The forested cliffs firmed in my sight, swimming into reality, and the mist that hovered around them lit with gold. The unmistakable, jigsaw puzzle shapes of the ruined castle on the hill loomed up like giant sentinels, looking down sternly on the bay.

Something panged inside me, and I felt my mood shifting, brought down by a vague but strong sense of... what? Unease? A sort of wrongness, like waking from a dream that you were someone else, and for a moment still feeling that it must be real, even though your true memories and life were already forcing their way back in your awareness.

The shape of the ruins was wrong.

My eyes instinctively wanted to trace a different shape, a more symmetrical silhouette, placing turrets and ramparts against the streaked, glowing mists that no longer existed there, mentally rebuilding walls where the walls had clearly fallen down long ago. It was as if some part of me had expected to see the old castle as it had been before. Before the place had.... Before... Before I ever came here.

A chill shivered over the vulnerable skin of my neck and I wrapped my arms around myself, hugging my own chest tightly, digging my nails into the thick nubby wool of my jumper. It didn't help. For the first time I was aware of the cold breathing off the dense, lichen-pocked stone of the sea wall where I sat, seeping through the fabric of my jeans. Hopping down, I forced my eyes away from the inexplicably distressing ancient black ruin to look up at the town instead, spilling down the hillside above me. 

It was a pretty sight - everything was pink and gold, and I could already smell the tempting bready scents of someone baking carried on the mild spring breeze. Maybe it was even Belle - her shop couldn't be far away from here.

When the goosepimples stubbornly stayed, prickling on my skin, a couple of tugs on my hairband sent my hair tumbling down in wild, kinky curls around my shoulders. I shook my head and fluffed it with my fingers. The familiar warm tickle against my nape banished the anxious, alien feelings as much as the reassuring sight of the brightly painted houses hugging the curve of the bay and the buttery warm smell of freshly baked croissants.

Those croissants did smell awfully good, though...

Thursday, 30 July 2015


Ooooh, it's Thursday - the weekend is nearly here, my darlings! Just hang in there. And if it helps, I'm here today to bring the next installment of the FRAIL HUMAN HEART Blogtour, which is making a visit to Teens on Moon Lane, a new book blog that I love.

I'll be doing one of their 5-4-3-2-1 guest posts later on in the year - either August or September - so I'll be sending you back over then, but for now, check out today's snippet because it's the last... tomorrow, I'm pretty sure, we start on the juicy spoilerific deleted scenes (*le gasp!).

In other news, today I'm taking Finn the Devil Hound to the groomers, and let me tell you - parents taking their kids to have vaccinations is nothing to it.

Kids don't usually start making pathetic whining and crying noises the second you get them into the car or scrabble with their wee paws on the floor to try to escape. Or basically ignore you for twenty-four hours afterward because they feel so hurt and betrayed that you would leave them in that strange place (even though they've been going to that 'strange place' once every two months for two years).

Left to itself, Finn's hair - much like that of the cocker spaniels from whom he is descended - would literally grow until it brushed the floor. It's silky and gorgeous, but not at all practical for a dog who loves to splash through muggy, twiggy coppices and leap into green, weed-filled ponds. Once it reaches a certain length it not only drives me crazy but him - he'll start getting itchy and scratching and chewing at himself, and has even made himself quite sore on previous occasions.

What's more, grass seeds, those tiny weapons of mass destruction, will work themselves into the long
fur on his fluffy webbed feet and then actually into the flesh of his feet themselves (they're designed so that the movement of the animal they've latched onto will cause them to spiral, effectively 'drilling' into the fur and skin, because that way the animal concerned will carry the seeds far away from the parent plant).

When grass seeds burrow into your dog's feet it causes them terrible discomfort. They'll often do even worse damage to themselves trying to chew the painful splinter out and then you're off to the vet's for surgery. I can check Finn's feet twice a day for grass seeds, but once his fur reaches a certain length it just becomes impossible to be sure he's seed free, and if I never have to see him whimpering with pain, with blood spurting from between his toes as he seemingly tries to bite one of his own paws off again, it'll be too soon.

I used to do his grooming myself, with the help of a heavy old shaver that belonged to my brother and my father to hold, lift, and turn Finn, and help me get him in and out of the bath. I couldn't do it alone after I had the prolapsed disc in my spine. But now that dad's gone there's no one to help me. So every six to eight weeks, during the spring and summer months, like clockwork, we head to the groomers... and I become Bad Mummy The Betrayer to my dog for a day.

Honestly, wish me good luck. I'll need it to deal with the emotional blackmail alone...

Wednesday, 29 July 2015


Hello, of beautimous ones! Today the blogtour leaps happily onto the site of one of my very oldest blogger pals (that is to say I've known her for ages, not that she is old at all, btw) Sarah, at Feeling Fictional. Hi Sarah! Head on over there and check it out!

And just for fun, here's my Spotify Discover Weekly Playlist, so you can listen to the songs I've been listening to so far this week:

See you tomorrow, Dear Readers! xx

Tuesday, 28 July 2015


Happy Tuesday, my lovelies! Day #2 of the FRAIL HUMAN HEART Blogtour is upon us and is hosted by Katie at KitKatscanRead!

Head over there to check it out - and if you haven't already, check out my new and improved website at too, and let me know if there's anything you miss from the old site or anything new that you'd like me to include there.

I'm also still appealing for more reviews - good, bad, or in-between - for FRAIL HUMAN HEART on Amazon. I appreciate the ones I have so much, but it's still looking pretty lonely with only three reviews compared to the twenty-four that THE NIGHT ITSELF has. Don't think that you need to write great scads of stuff if you don't want to. Just a line or two with your impressions of the book and whatever star rating seems right to you is perfect (although I admit that I do read and enjoy longer reviews, that's between me and my nosy conscience).

See you tomorrow, cake-pops!

Monday, 27 July 2015


Hello and happy Monday, Dear Readers! Today, as promised, we kick off the FRAIL HUMAN HEART BLOGTOUR - and our first lovely blogger is PewterWolf. What juicy extra content is on his blog? Who knows? Click through quickly and check it out!

In other news this fine Monday, over the weekend I finally updated my website - by which I mean, rebuilt the thing from scratch and moved it to a new hosting service. I love the new look and the new organisation and it's now ten times easier to update, so hopefully this version will endure for a long time. As a plus, it's prettified with all my own photographs instead of stock images, which I love.

It's the same website address: Check that out too when you have the chance, and let me know if there's anything from the old site you miss that I could transfer across or anything else you'd like to see.

I'll be back tomorrow with another link for the next day of the Blogtour, so don't miss out, my little cupcakes!

ETA - to make it easier to follow the tour, here's a compilation of all the links so far, in order:

Day #1, Pewterwolf - Snippet from the book
Day #2, KitKatscanRead - Snippet from the book
Day #3, Feeling Fictional - Snippet from the book
Day #4, Teens on Moon Lane - Snippet from the book
Day #5, The Reader's Corner, Jack & Hikaru 'Deleted Scene' - major spoilers!
Day #6,  Luna's Little Library, Hikaru Deleted Scene - not really spoilery
Day #7, SisterSpooky, Mio & Shinobu Deleted Scene - major spoilers
Day #8, Serendipity Reviews, Detailed interview with Viv
Day #9, Winged Reviews, In Depth Inspiration Post

Thursday, 23 July 2015


Hello, Dear Readers! Welcome to Thursday - the weekend is almost upon us! Today I have a random sampling of things to share, beginning with:
1) The FRAIL HUMAN HEART Blogtour is about to begin! See the glorious banner to the right? Now this is super exciting not only for the usual reasons, but because I've actually written a bunch of extra content specifically for the blog tour - three 'deleted scenes' from the trilogy which are presented to you *exclusively* on these blogger's sites.

These extra scenes are juicy and spoilerific - I can't even really say what any of them involve (because that would be giving the game away) except to say that two of them star Hikaru and one is from the perspective of a character we've seen but never actually met before - so if you're a fan of the books then you NEED to tune in.

To help ensure you don't miss anything, I'll be posting a link to the requisite site here on the blog each day, and you can just click through to see what the day's offering will be. There are also tantalizing snippets from FRAIL HUMAN HEART (in case you haven't read it yet), a Q&A, and a long thinky piece on my inspiration for the series, looking back at how the idea came to be in the first place. Hurrah!
2) Remaining with the FRAIL HUMAN HEART theme, the book has been out for three weeks now and Amazon has two lovely reviews for it, both of which I'm terribly grateful for. But the first book - THE NIGHT ITSELF - has twenty-three reviews and even DARKNESS HIDDEN has eight. FHH is looking a bit lonely and unloved; and that's the kind of thing that keeps writers like me up at night.

So this is my appeal to you: if you've read the book, whether you loved it, liked it, or have salty comments to make, please could you take a few moments out of your day to pop onto Amazon and leave a review? I would appreciate it so much.

And there is something in it for you, too - if this appeal here yields some extra reviews, I'll randomly pick one of the Amazon reviewers and send them a package containing Delightful Mystery Stuff related to the trilogy. That winner could be you. But whether you review or not, I still love you and am eternally grateful to you, my Dear Readers!
3) SUPER EXCITING NEWS that I am not allowed to tell you sorry! Ahem.

I've been sworn to secrecy at this point by Wonder Editor, but something thrilling is set to happen, and it's related to the released of my Beauty and the Beast retelling - aka #BaBBook - which I can now tell you is set to come out in June next year. Remember that this is a companion novel to Shadows on the Moon, and is also set in the Moonlit Lands.

One thing I can reveal is that #BaBBook's real title is BAREFOOT ON THE WIND (this might still be subject to change, but I hope it won't because I love that title). More details when I get permission to share them - but be excited my lovelies! I am!
4) My friend C.J. Daugherty, author of the legendary (and bestselling!) NIGHT SCHOOL books has just become the first UKYA author with an official pop song dedicated to her books!

She very modestly dropped this into the conversation the other day and I was gobsmacked when I investigated and got a load of this amazing song by Betsa Collins, who is only seventeen! Good work Betsa - and congratulations CJ! The final NIGHT SCHOOL book is out now, by the way, in case you were in the mood to marathon some excellent UKYA...

How rockstar is THAT?!?!

And that's all from me for now, muffins - but I'll be back on Monday next week to kick off the blog tour. Have a lovely weekend!

Wednesday, 15 July 2015


Hello, hello, hello, Dear Readers! I hope you've had a great week since you read me last. Thank you so much to everyone who reached out to me after my appeal in that previous post; I appreciate every single person who got in contact. I know that it probably wasn't easy for many of you to email a stranger out of the blue, and even though I've told you this individually in private, I think you also deserve to have your generosity, courageousness, and beautiful creative spirit acknowledged collectively and publicly here too. You're all amazing.

I'm not replying to comments on that post anymore because frankly the discussion there ballooned out of control in a way that the Blogger comment function is simply not designed to handle. Please consider emailing me if you'd like to get involved as well. I have now completed a detailed synopsis for Codename: DtH incorporating the spirit of as much of the advice I was given as possible, and sent that off to Super Agent. I'm waiting for her to get back to me about it, and then we'll hopefully pitch it to my publisher.

In the meantime I've been writing deleted scenes for the Frail Human Heart blog tour that's going to start at the end of the month (more on that when the details are finalised) but this was interrupted for a little while by a spate of what I've mentally dubbed The Mermaid Madness online, when I noticed a certain post on US author Maggie Stiefvater's Tumblr, made my own version, and then fabulous fellow UKYA author Keris Stainton took it to Twitter.

To say it caught on would be a bit of an understatement. For a couple of days there everything was mermaids and nothing hurt. The delirium seems mostly to have passed off now, but I thought it would be nice to share the results anyway. So first of all here's Mermaid Me:

The only thing that actually resembles me here is the hair - bit that is 100% accurate
Then Alexandra from The Swan Kingdom:

Zira from Daughter of the Flames (this is after she's crowned queen and has let her hair grow out a bit):

And Suzume - or rather, Yue - from Shadows on the Moon:

But the biggest demand on Twitter was for Mermaid versions of the Name of the Blade crew. So here's Jack:


And Mio and Shinobu:

Annoying that only the male mermaid had a weapons option, yes - but let's pretend it's Mio's day off or something!
Plus Mio by herself:
Yes, Mermaid Mio has more than one outfit. I couldn't give her a sword - there were no swords - so she got glowy magic instead
And as I type this, I realise I never did a mermaid version of Rachel, which doesn't seem fair? So I'd better go and get on that, hadn't I? Purely, of course, or fairness' sake...

*Skips away, cackling*

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